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Films A La Carte

Back in 2012, 16-year-old Nana Komatsu was a young model and still at school. She used to travel to Tokyo on week-ends for her photoshoots and did not consider an acting career then. In 2014, much to her surprise, she was asked to audition for The World of Kanako, the next opus from famous director Tetsuya Nakashima.

She was reluctant but encouraged by relatives and friends she went to the audition. She was hired right away after a brief interview and the rest is history now. She has starred in many films since then and worked with very different directors: Takahiro Miki, Bernard Rose, Akihiko Shiota, Martin Scorsese, Hideyuki Hirayama or Akira Nagai to name just a few.

A much sought after actress and known for being extremely versatile Nana Komatsu is most certainly one of the best representatives of the ‘Old School’ approach to acting in the Japanese film industry (and beyond). When nuance and subtle body language prevail over wordiness, when emotion is conveyed through the eyes, you’re ‘old school’ but there’s more to it, Nana Komatsu does have a few add-ons: a surprising ability to suddenly embrace rage and also a playful side which comes close to eccentricity.

Some films are available on NetFlix, Amazon Prime Video, U-Next, Mubi, Outbuster and other online services on a regular basis, you can get a few DVDs with English subs from Amazon USA and all the original Japanese DVDs and Blurays can be purchased from CD Japan.

The following ‘guide’ is not based on movie genres, alphabetical order or date of release but rather on her performance in each and every film. Going to the movies is like going to the restaurant somehow, also the actress has a solid reputation as a food loving person, so this presentation makes sense in many ways. Here’s the Menu right below: you’ll get appetizers only, i.e. trailers and short scenes.

The blogmaster’s choice (subject to change): ⭐ recommended ⭐ ⭐ personal faves

Read more: trailers, micro-reviews…

Who Were We Pre-Screenings

Director Tetsuya Tomina‘s new film Who Were We? (わたくしどもは) will be presented to a selected audience in Tokyo on Thursday April 25, lead actress Komatsu Nana might be among the speakers for stage greetings. Next is a special screening on Sado Island (the film’s main shooting location) on May 5. Nationwide theatrical release (Japan): May 31 (Roadshow).

Official Film Site: わたくしどもは.

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Who Were We in theaters on May 31

Tetsuya Tomina‘s latest film had its premiere at the 36th Tokyo International Film Festival in October 2023, a theatrical release date has been set for Japan on May 31. A new poster and a trailer are now available.

In addition to the two leads, Komatsu Nana and Matsuda Ryuhei, the cast includes Shinobu Otake, Chinosuke Kataoka, Shizuka Ishibashi, Min Tanaka, Yayako Uchida, Kaiji Moriyama, and Manjiro Tatsumi. Music score by Yojiro Noda from Radwimps.

see more: story, Trailer, vidcaps, links

First Child

Actress and model Komatsu Nana, 28 since February 16, is now a mother. On Saturday March 9 and through an official statement from her agency, she announced she gave birth to her first child. Congrats and all the best to the new parents* and their baby…

This life changing event explains why she’s been away from the spotlight (cinema, fashion events, magazines) for many months. As the topic is trending on Twitter, Instagram and other SNS, fans are speculating whether the above pic, published last December, gave a hint. 🙂

*Komatsu Nana is married to actor and singer Suda Masaki

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All Things Must Pass (Final Statement)

Announcement: this blog will be removed from the Internet on April 15, 2024.

ONE MORE YEAR!

It takes only two clicks to delete the whole blog and the data attached to it: years of (sometimes) hard work gone in a snap. I couldn’t bring myself to it. The WordPress rent will be renewed soon for a year. However I still have doubts about the value of a blog in the Tok-Tok era, also I’m no longer motivated for blogging and writing the way I used to…

…therefore, posts and updates will be limited to fashion, magazines and film news provided there is any. Last but not least: there won’t be another post or announcement about the future of this blog. One of these days, you’ll go to the homepage and see it’s gone, forever and for good.

Thanks to directors Kensaku Kakimoto, Edmund Yeo, Bernard Rose and photographer Allan Abani for providing exclusive contents. Many thanks to all subscribers and visitors.